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The rocky and isolated setting provided plenty of opportunities for the filmmakers to simply take advantage of the abundant beauty of the terrain, and they did so to the fullest extent possible. The entire movie includes some stunning cinematography though, including the opening sequence. If it does, it wildly strays into the realm of melodrama. The tone of the narrative is established early on in and it hardly ever deviates from the stringent conventions of its crime-thriller theme. “Who killed her, and why?” are the concerns that run throughout the movie and result in new discoveries. Pipa embraces the person she used to be and sets out on a dangerous quest to learn the truth about what happened. Alicia persuades Pipa to transform into her older self. Recurrence begins with the death of Samantha Sosa, a 16-year-old girl discovered in a burned state. Pipa discovered calm a chance to start anew, and a place to lower her guard in the small Argentinean village. The stern woman who made it through her tenure in the federal police department by violating laws and hiding skeletons in her closet, has decided to alter her life course. Her aunt Alicia eventually takes her to the lovely La Quebrada valley. She felt miserable and trapped, and her life was slowly falling apart. Pipa left the police department as a result of the trauma caused by her former companion and drug dealer Cornelia Villalbas’ demise, as featured in “Perdida”. The protagonist of the movie, Manuela Pipa Pelari, is an ex-violent crimes investigator who now works on a farm and resides with her son Tobias in the small, picturesque town of La Quebrada in Northern Argentina. It is the third instalment in the “Pipa” trilogy by director Alejandro Montiel, following “Perdida” and “Intuition”. “Recurrence” is an Argentine crime-thriller movie featuring characters devised by author Florencia Etcheves.

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